E–pub/E–book [Ghostwalk] ½ Rebecca Stott

  • Hardcover
  • 320
  • Ghostwalk
  • Rebecca Stott
  • English
  • 23 April 2019
  • 9780385521062

Rebecca Stott ¾ 6 SUMMARY

SUMMARY Ghostwalk DOWNLOAD ✓ PDF, eBook or Kindle ePUB ¾ Rebecca Stott Rebecca Stott ¾ 6 SUMMARY Filled with evocative descriptions of Cambridge past and present of seventeenth century glassmaking alchemy the Great Plague and Newton’s scientific innovations Ghostwalk centers around a real historical mystery that Rebecca Stott has uncovered involving Newton’s alchemyA Cambridge historian Elizabeth Vogelsang is found drowned clutching a glass prism in her hand The book she was writing ab Well that was different In theory this book should have been my jam The story opens with Elizabeth Vogelsang being found dead in a river near her Cambridge home clutching a glass prism in her hand Elizabeth is a 17th century scholar who specializes in Isaac Newton and her death interrupts her work on a book exploring Newton s interest in alchemy Elizabeth s son Cameron recruits Lydia Brooke a writer friend of Elizabeth and Cameron s former lover to ghost write the rest of Elizabeth s book Along the way Lydia tries to unravel the secrets in Elizabeth s research secrets that might have led to her death I m going to go ahead and get the most absurd thing about this book out of the way first so we can acknowledge it and move on Okay so you want to know who killed Elizabeth right The book is set up like a murder mysteryhistoric fictionsupernatural mashup so you know the solution to the murder is going to be good ReadyA ghost did it The murderer is literally a ghost Don t worry we ll get back to that I just wanted to give everyone a vague idea of where this crazy train is headed because that s than Rebecca Stott did for meuick note I purchased this book secondhand however it s still an ARC so all uoted passages may be different in the final published versionI started to sense that something was wrong by the first chapter After a prologue where we see Elizabeth s body being found by her son Chapter One begins from Lydia s perspective She describes the days after Elizabeth s death and then suddenly we re in a police interrogation room and Lydia s narration informs us that Elizabeth Vogelsang drowned in September 2002 the first of three deaths that would become the subject of a police investigation four months laterOkay let s take a minute to sort that out because there s a lot of information there So the book isn t going to focus just on Elizabeth s death but also two other people Presumably we will meet these people at some point in the narrative and grow to care about them and their deaths will be appropriately placed in the narrative to maintain suspense yes to the first sort of to the second nope to the third Also since the police investigation happens four months after Elizabeth s death we ve got a relatively short time frame to work with And Lydia will be very close to these deaths Okay coolBut then only a few paragraphs later Stott drops this on us I would have to be careful and alert here at the Parkside Police Station Very alert They had arrested Lily RidlerThat line comes seven pages into the novel It is the first time that Lily Ridler is mentioned and it will be way way too long before she s mentioned again in fact until I flipped back to the beginning of the book to look for uotes I had completely forgotten that they mention this character by name so early By the time we figure out who this character is and why we should care I had already stopped caringSuspense novels are tricky because you have to keep your audience invested without showing too many of your cards at once Rebecca Stottt has the entire story of Ghostwalk mapped out in her head already but she forgets that her reader doesn t She goes so overboard with the exposition and the but little did I know foreshadowing that the reader gets overwhelmed and can t figure out what they should be paying attention to for later Lydia keeps giving us these descriptions from the police station and the courtroom but it s so disconnected from everything else that s happening in the story that by the time I had put together all the important details from the investigation I no longer cared Stott thinks she s prolonging the tension but by so insistently teasing the ending all she s doing is frustrating the reader and distracting from the real time events in the story If I had to pinpoint the central issue in this book it s that Stott is trying to do too many things at once There s the murder mystery and then there s a pretty heavy supernatural element I think Stott was going for a Gothic ghost story kind of thing but the first instance of it is clumsy and jarring Lydia goes to Elizabeth s funeral and meets a woman with one blind eye who says things like Oh but Elizabeth is still here I haven t seen her yet but she s here all right The others are here too Don t you feel them Maybe it was my fault for not knowing what kind of book this was going to be when I started but I could never get into the Gothic mindset that Stott is trying so hard to create I can t really put my finger on why the supernatural element didn t work for me it was either taken too seriously or not seriously enough On the one hand if you re going to write a book about a ghost who murders people why not have some fun with it Indulge in the overblown melodramatic creepiness of your story and go for gold like The Shadow of the Wind At the same time no one in the book seems at all bothered by the fact that they re clearly being haunted Lydia who is staying in Elizabeth s house while she finishes her book notices weird light patterns like reflecting water on the walls of the house And one morning after spending the night with her on again boyfriend Cameron we ll get there don t worry she wakes up and sees that he has blood all over his face And both of their reactions don t go any farther than Huh that s weird And later after Lydia washes the pillowcase the bloodstain comes back She burns the pillowcase but there s no other discernable reaction as if shit like this happens all the time in this universe and it s not something to get worked up over The characters most of whom are scientists and scholars accept the reality of psychics and ghosts with no reservation whatsoever and I was not having it Maybe I would have been receptive to the Ghost Murderers From History angle if it were the main plotline in the book but alas the ghost murders have to fight for space alongside another plotline that is somehow even ridiculous ReadyOkay so Cameron mother of Elizabeth recall is a scientist at a pharmaceutical company The company tests on animals and there s a radical animal rights group that is so radical they attack another scientist and also have a habit of murdering scientists pets UICK BREAK FOR AN ANGRY TANGENT Yeah the animal rights group steals people s pets and kills them I thought Stott was letting me off easy when Cameron tells Lydia that his daughters pet guinea pigs were killed so his wife is taking the girls out of Cambridge to get away from things That s fine I thought we ve established that this activist group is dangerous and it also gets Cameron s family out of the picture so he and Lydia can bang But I had forgotten dear reader that Elizabeth also has a cat A cat that Lydia is now responsible for Guess what shows up dead on her doorstep one day Guess what injuries get described in detail Guess who spends a hefty amount of text speculating on the cat s terrifying last momentsIt was gratuitous and unnecessary and I kind of hate Rebecca Stott for making me read it I am not the sort of person to put trigger warnings on things but I would warn anyone planning to read this book that the cat s death is detailed upsetting and utterly pointlessAnyway back to the plot overload We ve got the animal activists and at the end of the book we find out that there s this shady government group called I shit you not the Syndicate and they are actually the ones who created the activist group to discredit the real activists And guess who s in charge of this evil corporation Cameron obviouslyHey remember how the ghost of a 17th century alchemist murdered someone in the 21st century What does that have to do with creepy government agencies Absolutely fucking nothing but someone let Rebecca Stott believe that trying to cram these two huge plotlines into one novel was a good idea I have a feeling that the Syndicate was a later addition after some well intentioned idiot was like Hey Rebecca I think you need to up the stakes in this story Have you read The Da Vinci Code Well I didn t even get a chance to mention that whenever Lydia s narration mentions Cameron she refers to him as you Like the whole book is a really long letter Lydia is writing to him It s horrible and utterly pointless and I don t know why no one caught it before letting this book be published That and the dialogue Here s a sample conversation between Lydia and Will Elizabeth s former research assistant it is important to know that at this point in the book there has been absolutely no hint that the Syndicate will be a plotline so this conversation was absolute fucking gibberish to me when I first read it Look Will said I m going to have to go away for a while I came to say goodbye You ll be back Oh yes I hope so Depends on what happens over the next few weeks How long Could be a week or a month Probably not any longer And I ve arranged for someone to keep an eye out for you An eye on me Why Because you re caught up in something complicated and it might be dangerous I can t explain because I m not allowed to and because I can t just give you bits I d have to explain it all To do with Elizabeth s manuscript No absolutely nothing to do with all of that Something very un seventeenth century Now go to bed and don t think about it I ll be back as soon as I can For fuck s sake human beings don t talk like that The only people who talk like that are characters in a bad novel written by an author who doesn t know how to create genuine suspense Utter fiasco If you re looking for a creepy October read this is not it Corruptions et crédulité en médecine : Stop aux statines et autres dangers uncovered involving Newton’s alchemyA Cambridge historian Elizabeth Vogelsang is found drowned clutching a glass prism in her hand The book she was writing ab Well that was different In theory this book should have been my jam The story opens with Elizabeth Vogelsang being found dead in a river near her Cambridge home clutching a glass prism in her hand Elizabeth is a 17th century scholar who specializes in Isaac Newton and her death interrupts her work on a book exploring Newton s interest in alchemy Elizabeth s son Cameron recruits Lydia Brooke a writer friend of Elizabeth and Cameron s former lover to ghost write the rest of Elizabeth s book Along the way Lydia tries to تقریرات مصدق در زندان unravel the secrets in Elizabeth s research secrets that might have led to her death I m going to go ahead and get the most absurd thing about this book out of the way first so we can acknowledge it and move on Okay so you want to know who killed Elizabeth right The book is set Pitch Perfect: How to Say It Right the First Time, Every Time up like a murder mysteryhistoric fictionsupernatural mashup so you know the solution to the murder is going to be good ReadyA ghost did it The murderer is literally a ghost Don t worry we ll get back to that I just wanted to give everyone a vague idea of where this crazy train is headed because that s than Rebecca Stott did for meuick note I purchased this book secondhand however it s still an ARC so all Bach's Keyboard Music: A Listener's Guide uoted passages may be different in the final published versionI started to sense that something was wrong by the first chapter After a prologue where we see Elizabeth s body being found by her son Chapter One begins from Lydia s perspective She describes the days after Elizabeth s death and then suddenly we re in a police interrogation room and Lydia s narration informs Cathy us that Elizabeth Vogelsang drowned in September 2002 the first of three deaths that would become the subject of a police investigation four months laterOkay let s take a minute to sort that out because there s a lot of information there So the book isn t going to focus just on Elizabeth s death but also two other people Presumably we will meet these people at some point in the narrative and grow to care about them and their deaths will be appropriately placed in the narrative to maintain suspense yes to the first sort of to the second nope to the third Also since the police investigation happens four months after Elizabeth s death we ve got a relatively short time frame to work with And Lydia will be very close to these deaths Okay coolBut then only a few paragraphs later Stott drops this on Il Buddismo spiegato semplicemente: La via verso una vita più serena, equilibrata e in armonia us I would have to be careful and alert here at the Parkside Police Station Very alert They had arrested Lily RidlerThat line comes seven pages into the novel It is the first time that Lily Ridler is mentioned and it will be way way too long before she s mentioned again in fact The Cider House Rules until I flipped back to the beginning of the book to look for La desaparición del paisaje uotes I had completely forgotten that they mention this character by name so early By the time we figure out who this character is and why we should care I had already stopped caringSuspense novels are tricky because you have to keep your audience invested without showing too many of your cards at once Rebecca Stottt has the entire story of Ghostwalk mapped out in her head already but she forgets that her reader doesn t She goes so overboard with the exposition and the but little did I know foreshadowing that the reader gets overwhelmed and can t figure out what they should be paying attention to for later Lydia keeps giving Íslenskar kynjaskepnur us these descriptions from the police station and the courtroom but it s so disconnected from everything else that s happening in the story that by the time I had put together all the important details from the investigation I no longer cared Stott thinks she s prolonging the tension but by so insistently teasing the ending all she s doing is frustrating the reader and distracting from the real time events in the story If I had to pinpoint the central issue in this book it s that Stott is trying to do too many things at once There s the murder mystery and then there s a pretty heavy supernatural element I think Stott was going for a Gothic ghost story kind of thing but the first instance of it is clumsy and jarring Lydia goes to Elizabeth s funeral and meets a woman with one blind eye who says things like Oh but Elizabeth is still here I haven t seen her yet but she s here all right The others are here too Don t you feel them Maybe it was my fault for not knowing what kind of book this was going to be when I started but I could never get into the Gothic mindset that Stott is trying so hard to create I can t really put my finger on why the supernatural element didn t work for me it was either taken too seriously or not seriously enough On the one hand if you re going to write a book about a ghost who murders people why not have some fun with it Indulge in the overblown melodramatic creepiness of your story and go for gold like The Shadow of the Wind At the same time no one in the book seems at all bothered by the fact that they re clearly being haunted Lydia who is staying in Elizabeth s house while she finishes her book notices weird light patterns like reflecting water on the walls of the house And one morning after spending the night with her on again boyfriend Cameron we ll get there don t worry she wakes Norman Thomas Early Civil Rights Activist up and sees that he has blood all over his face And both of their reactions don t go any farther than Huh that s weird And later after Lydia washes the pillowcase the bloodstain comes back She burns the pillowcase but there s no other discernable reaction as if shit like this happens all the time in this I'm a Dirty Dinosaur universe and it s not something to get worked Il pendolo di Foucault up over The characters most of whom are scientists and scholars accept the reality of psychics and ghosts with no reservation whatsoever and I was not having it Maybe I would have been receptive to the Ghost Murderers From History angle if it were the main plotline in the book but alas the ghost murders have to fight for space alongside another plotline that is somehow even ridiculous ReadyOkay so Cameron mother of Elizabeth recall is a scientist at a pharmaceutical company The company tests on animals and there s a radical animal rights group that is so radical they attack another scientist and also have a habit of murdering scientists pets UICK BREAK FOR AN ANGRY TANGENT Yeah the animal rights group steals people s pets and kills them I thought Stott was letting me off easy when Cameron tells Lydia that his daughters pet guinea pigs were killed so his wife is taking the girls out of Cambridge to get away from things That s fine I thought we ve established that this activist group is dangerous and it also gets Cameron s family out of the picture so he and Lydia can bang But I had forgotten dear reader that Elizabeth also has a cat A cat that Lydia is now responsible for Guess what shows The Cobra ueen Pandora English #4 up dead on her doorstep one day Guess what injuries get described in detail Guess who spends a hefty amount of text speculating on the cat s terrifying last momentsIt was gratuitous and Lord of the Dragon unnecessary and I kind of hate Rebecca Stott for making me read it I am not the sort of person to put trigger warnings on things but I would warn anyone planning to read this book that the cat s death is detailed Dr Simon Forman A Most Notorious Physician upsetting and Lost Cities 50 Discoveries in World Archaeology utterly pointlessAnyway back to the plot overload We ve got the animal activists and at the end of the book we find out that there s this shady government group called I shit you not the Syndicate and they are actually the ones who created the activist group to discredit the real activists And guess who s in charge of this evil corporation Cameron obviouslyHey remember how the ghost of a 17th century alchemist murdered someone in the 21st century What does that have to do with creepy government agencies Absolutely fucking nothing but someone let Rebecca Stott believe that trying to cram these two huge plotlines into one novel was a good idea I have a feeling that the Syndicate was a later addition after some well intentioned idiot was like Hey Rebecca I think you need to The 3% Signal: The Investing Technique That Will Change Your Life utterly pointless and I don t know why no one caught it before letting this book be published That and the dialogue Here s a sample conversation between Lydia and Will Elizabeth s former research assistant it is important to know that at this point in the book there has been absolutely no hint that the Syndicate will be a plotline so this conversation was absolute fucking gibberish to me when I first read it Look Will said I m going to have to go away for a while I came to say goodbye You ll be back Oh yes I hope so Depends on what happens over the next few weeks How long Could be a week or a month Probably not any longer And I ve arranged for someone to keep an eye out for you An eye on me Why Because you re caught The First 20 Hours: How to Learn Anything . . . Fast! up in something complicated and it might be dangerous I can t explain because I m not allowed to and because I can t just give you bits I d have to explain it all To do with Elizabeth s manuscript No absolutely nothing to do with all of that Something very Room and Board un seventeenth century Now go to bed and don t think about it I ll be back as soon as I can For fuck s sake human beings don t talk like that The only people who talk like that are characters in a bad novel written by an author who doesn t know how to create genuine suspense Utter fiasco If you re looking for a creepy October read this is not it

SUMMARY GhostwalkGhostwalk

SUMMARY Ghostwalk DOWNLOAD ✓ PDF, eBook or Kindle ePUB ¾ Rebecca Stott Rebecca Stott ¾ 6 SUMMARY That the shadow of violence that has fallen across present day Cambridge which escalates to a series of murders may have its origins in the troubling evidence that Elizabeth’s research has unearthed As Lydia becomes ensnared in a dangerous conspiracy that reawakens ghosts of the past the seventeenth century slowly seeps into the twenty first with the city of Cambridge the bridge between them I enjoyed the start of this book and was intrigued by the idea of a mix between a ghost story and detective story with 17th century events woven in with present day ones I was also attracted by the fact that it s set in Cambridge a city I knowHowever I soon got fed up and gave up after about 80 pages I didn t believe in any of the characters and found the plot too convoluted so decided not to waste my time Samsara Na drogach których nie ma unearthed As Lydia becomes ensnared in a dangerous conspiracy that reawakens ghosts of the past the seventeenth century slowly seeps into the twenty first with the city of Cambridge the bridge between them I enjoyed the start of this book and was intrigued by the idea of a mix between a ghost story and detective story with 17th century events woven in with present day ones I was also attracted by the fact that it s set in Cambridge a city I knowHowever I soon got fed Pagbasa at Pagsulat Tungo sa Pananaliksik up and gave Super Pose Book Nude Part 7 (Model (Model : Nanami Matsumoto) [JAPANESE EDITION](Cosmic Art Graphics) スーパー・ポーズブック ヌード編7 (コスミック・アート・グラフィック) up after about 80 pages I didn t believe in any of the characters and found the plot too convoluted so decided not to waste my time

DOWNLOAD ✓ PDF, eBook or Kindle ePUB ¾ Rebecca Stott

SUMMARY Ghostwalk DOWNLOAD ✓ PDF, eBook or Kindle ePUB ¾ Rebecca Stott Rebecca Stott ¾ 6 SUMMARY Out Isaac Newton’s involvement with alchemy the culmination of her lifelong obsession with the seventeenth century remains unfinished When her son Cameron asks his former lover Lydia Brooke to ghostwrite the missing final chapters of his mother’s book Lydia agrees and moves into Elizabeth’s house a studio in an orchard where the light moves restlessly across the walls Soon Lydia discovers I expected a fascinating ghost story literary with mysterious murders and the past coming back to haunt Intelligent and historical yes And it s full of atmospheric descriptions that I liked However the main character Lydia Brooke speaking in the first person point of view I ve been back four times I said but then telling the other main character Cameron her ex lover what he said presenting his dialogue by using the pronoun you to name the speaker So instead of he said or Cameron said the author writes you said meaning you Cameron said it This device was not only distracting but a really screwy way to write I got so annoyed after a while with Lydia telling Cameron and the reader what he said And then somewhere around page 230 we have Lydia in third person point of view Lydia Brooke walked into the dark her head ached that s when she first heard the footsteps The story became muddy and unclear too much of Lydia s romantic musings although some of it pretty prose The plot was way too convoluted for me and I grew bored I might try this author again but this story didn t make it for me Anthem unfinished When her son Cameron asks his former lover Lydia Brooke to ghostwrite the missing final chapters of his mother’s book Lydia agrees and moves into Elizabeth’s house a studio in an orchard where the light moves restlessly across the walls Soon Lydia discovers I expected a fascinating ghost story literary with mysterious murders and the past coming back to haunt Intelligent and historical yes And it s full of atmospheric descriptions that I liked However the main character Lydia Brooke speaking in the first person point of view I ve been back four times I said but then telling the other main character Cameron her ex lover what he said presenting his dialogue by Autopornography: A Memoir of Life in the Lust Lane (Haworth Gay & Lesbian Studies) using the pronoun you to name the speaker So instead of he said or Cameron said the author writes you said meaning you Cameron said it This device was not only distracting but a really screwy way to write I got so annoyed after a while with Lydia telling Cameron and the reader what he said And then somewhere around page 230 we have Lydia in third person point of view Lydia Brooke walked into the dark her head ached that s when she first heard the footsteps The story became muddy and Nguồn gốc người Việt – người Mường unclear too much of Lydia s romantic musings although some of it pretty prose The plot was way too convoluted for me and I grew bored I might try this author again but this story didn t make it for me